I’ve long despised the franchise known as “Girls Gone Wild.” So it pleased me greatly to see the LA Times rip apart its mastermind, Joe Francis.
For those who haven’t seen the late-night ads, the Girls Gone Wild videos are predicated on this very simple formula: go to a location where drunk young girls abound (spring break, bars, etc), shove a camera in front of their attention-starved faces, and ask them to lift their shirts in exchange for stupid merchandise (a t-shirt or a trucker hat usually). Shocking how pliable these girls are…I see it as a combination of the need to rebel from their parents, maintain their virginity while still sexualizing themselves, a desire for attention, and a cultural obsession with reality TV.
As the Times article explains:
Francis has aimed his cameras at a generation whose notions of privacy and sexuality are different from any other. Nursed on MySpace profiles and reality television, many young people today are comfortable with being perpetually photographed and having those images posted on the Internet for anyone to see. The boundaries that once contained sexuality have also fallen away. Whether it's 13-year-olds watching a Britney Spears video, 16-year-olds getting their pubic hair waxed to emulate porn stars or 17-year-olds viewing videos of celebrities performing the most intimate acts, youth culture is soaked in sexuality.
Francis has made a fortune off these girls. What irks me so much is that the girls featured on the countless GGW videos are almost invariably intoxicated. They likely would not make the same decision where they stone-cold sober. Of course, I do think some of the blame lies with the girls who make the decision to go on Spring Break, get drunk wearing a bikini, and act irresponsibly. At the same time, one must wonder, in the words of Susie Bright, "Why are we at a place where the only way a young woman thinks she can be important or meaningful is to take her top off for a creep's camcorder?"
Bright sums up a feminist position that I personally agree with: "It's not the topless part that's the problem, it's the exploitation by this prick. If the women took their tops off for their own movie, their own orgasm, and their own point of view, it would be a completely other story."
Most astutely, she notes: “Francis' dirtiest secret is that he traffics in porno-puritanism, in sexual shame. His profit lies in young women snookered into doing something "shameful" that they will want to hide the rest of their lives— once they sober up. They have been ruined— the ultimate GGW turn-on. It's the frisson of humiliation that makes him, and his audience, hard.”
Ariel Levy has done the best analysis I’ve seen of the problem of GGW and similar media in her book Female Chauvinist Pigs. In essence, Levy argues that GGW is not women being liberated, as many of the featured girls might posit (we’re past feminism; we’re now at a point when women should be able to flash their breasts at a camera with impunity). GGW, in Levy’s (and my) view is women acting at being liberated. Big difference. They are not in control. They are not expressing themselves—it’s all a ploy to appear to be something they believe men and society will value. And the main beneficiaries are Joe Francis’s wallet and horny male viewers.
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