Porn Perspectives

Playgirl Editor Harassed on Fox News

While I'm no huge fan of Playgirl magazine, I found the recent Fox News interview with its former editor Nicole Caldwell endearing. I never found Nicole's writing or vision impressive, but she handled herself with grace while the meat heads of Fox News' "Red Eye" show uncomfortably and aggressively bantered about sex and porn. Their sophomoric reaction to "hey look! a chick who will talk about porn!" is common, and in my opinion stems from discomfort about sex. While these jock-types act like she's a dream come true, they really are just freaked out that this woman might have access to their secret sexual lives.

See what you think:

(via Jezebel)

Top Ten Female Porn Directors

XCritic.com recently posted a list of their Top 10 female porn directors. Click here for the full list, plus links to each director's work.

My postergirl Tristan Taormino tops the list, and with good reason. Who else other than Tristan could convince behemoth Vivid to produce an educational series?

(A visual illustration is clearly required here)

The list is a bit controversial, as it includes Mason, who is known for very extreme content. I personally find her work deeply offensive, but she apparently goes out of her way to ensure the women in her movies are willing (and kinky) participants, so I can't condemn it.

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In other news, my hometown of Albuquerque, NM, is hosting a porn film series called Pornotopia. This is the first I've heard of the series, now in its second year. Go liberal enclave hometown!

9to5 Movie Review

I attended the European premiere of the independent documentary 9to5: Days in Porn, screened as part of London's Raindance Film Festival.

I know many of us have been eagerly awaiting the chance to watch this documentary, as it is rare a piece of film comes along which appears to provide an accurate reflection of the mainstream porn industry. And indeed, that is exactly what this film does, for better or for worse.

The film provokes fascination, revulsion, laugher, vague arousal, and shock—which is exactly the mixture of reactions I experience when watching mainstream porn. Revulsion most of all.

The German director, Jens Hoffmann, spent a year among his subjects building trust before ever rolling a camera, and it shows in their clear comfort around the documentary crew. True, these are professional performers, but they offer a completely relaxed, intimate view into their personal as well as professional lives.

I attended the film festival with someone who has worked in the industry for 15 years, running her own fetish business. Her view of the film was that it was a negative portrayal of the industry. She was particularly disturbed by the repeated overhead shots of the freeway, which were spliced throughout the film—the implication, in her eyes, being that porn is “a road to nowhere.”

I meanwhile, came away from the film filled with hope and excitement. Maybe it’s because I spend my time researching trends and women’s activity in the industry, but the decline in product quality and overall disrepair of the industry screams opportunity to me. The film did not depict niches or fringe movements, but as readers of this blog are well aware, many women are taking advantage of this opportunity and setting up their own shop, taking control of their image, and slowly changing the industry as we know it.

Sasha Grey—a central character in the film—is the best example of this, at least on screen. No one doubts her commitment and passion for what she does. Sure, it’s extreme sex, and she relishes acts which make many of our stomachs turn, but it’s clear that this is her thing.

My favorite moment is when a bigtime porn director is interviewed about Sasha. To paraphrase his clearly pre-rehearsed soundbite:

“I’ve never worked with Sasha, but she is a huge talent. It is clear she is going to go far in this industry and become very successful.” Long pause, and then, as though he couldn’t hold it in: “…she’s fucking crazy!”

I hope the film gets picked up by some larger distributors. It was completely self-funded, since no one with money seems to want to touch anything with "porn" in the title. Nonetheless, it terms of production values and music, it’s very well done. And as the most accurate depiction of the porn industry I’ve ever seen on film, I’m curious to see what other reactions to it are.